University Library Book Acquisitions Policies in an Electronic Age

Sean Morton
University of Windsor
Panel: “The Digital Age Library”

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During the past decade electronic texts and resources have become increasingly accepted by academic libraries, resulting in a shift away from print resources. The view presented by both the American and Canadian Library Associations (ALA, CLA) is that electronic means is a more effective format for the publication, control, dissemination, accessibility, and preservation of information. The rise of the digital format has led to a number of changes in how libraries manage, approach and disseminate information, which has potential consequences that are as yet largely unstudied. This paper investigates why the shift from print to digital media is taking place and what implications it has for academic libraries. In particular, this paper examines the rationale provided by several Canadian university libraries for facilitating the shift toward digital resources and for justifying the costs of the transition. In order to provide a representative cross-section of Ontario university libraries, this study focuses primarily on the library policies and budgets of the University of Toronto (Medical-Doctoral), the University of Guelph (Comprehensive), and Trent University (Primarily Undergraduate). The results indicate that, in general, not a lot is known about how the transition toward digital resources will affect information, libraries, and technology. This shift is problematic because different disciplines and faculties within the academic community do not use, research, or require materials and mediums in the same way. The reality is that many of the premises and assumptions behind the shift to digital acquisitions and resources are either suspect or invalid when it comes to maintaining an acceptable standard for humanities and social science research. As a result, a substantial change in how humanities and social sciences research can be conducted will occur, a move that is tantamount to limiting how future scholarly work in these areas can and will take place.

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 Speakers
Christine DeLucia Claudia Scala Schlessman Eugenia Kelbert Garret Voorhees Heather F. Ball Hilary Menges Jessica Weare Joseph Yannielli Julia Mansfield Julie Meloni Laila Shereen Sakr Lauren Gutterman Lauren Klein Micah Stupak Molly Dolan Paulina Bounds Rachael Sullivan Scott Nesbit Scott Spillman Sean Morton Sebastian Lecourt Shane Landrum Sharon Teague Simon Wiles (魏希明) Stewart Campbell T. Austin Graham Taylor Spence
 Talks
Accessing Wills: MS Access as a Tool for Historians Camera, Laptop, and What Else?: Hacking Better Tools for the Short Archival Research Trip Closing Roundtable Dickinson Meets DoubleClick: Remediating Poetry Digital Kiksht Digital Resources and Buddhist Studies: the Buddhist Authority Databases Project Eugène Atget and the Digital Archive Keynote Address Large-Scale Digital Audio Archiving Layers of the Past: GIS, Social Process, and Contingency in Historical Mapping Mapping Eighteenth-Century Intellectual Networks On Implementing the Digital Form: an Arabic-English Web-based Archive OutHistory.org: An Experiment in LGBTQ Community History-Making The Alternate Medieval Medium: Experiencing Medieval Manuscripts through Digital Technologies The Dark Tide: Digital Preservation, Interpretive Loss, and the Google Books Project The Digitized Blues: Listening to Langston Hughes in the Age of the Online Sound Archive The Future is Now: Sustainability, Preservation, and Ongoing Access to Humanities Data The Keyword Historian: Adventures in the Digital Archives The Scholar as Archivist: A Case Study in Negotiating the Borders between Description and Analysis Toward a Realization of the n-Dimensional Text Towards an Ethics of Online Research: Accounting for Absence in the Jefferson Digital Archive University Library Book Acquisitions Policies in an Electronic Age What is a Tag: Digital Artifacts as Hermeneutical Devices